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History Ancient Practices

The history of witches can teach us a lot about ourselves

I was a child angel for several consecutive Halloweens. Dressed all in white, with a halo attached to my head and gauzy wings sprouting from my shoulder blades, I smiled beatifically at the camera. It was what I wanted, in my heart of hearts, too: to be pure, angelic, and perfect.

I never would have been a witch for Halloween. Witches wore black, had tall pointy hats, warts on their noses, cauldrons in which they mixed up hateful potions. Witches are the antithesis of angels. At least until I grew a little older and started investigating my own feminism and realized: witches are just women with a bit of power. That’s why they’re scary. That’s why they’re “bad.”


Growing up, I was also under the impression that witches were merely fictional. That magic wasn’t real, and it only existed in TV shows, movies, and books. These days I know better. There are witches out there — I even know some — and rather than being wart-ridden, cackling wretches who exist to eat the hearts of pretty young maidens, they are genuinely some of the kindest, most caring people I’ve met. They just happen to have a deeper connection to nature and the spiritual realm than many of us. Though witches do not have to be women, many are (at least the ones in my circles) and I think that makes the fear glow brighter.

Witches are just women with a bit of power. That’s why they’re scary.

In America, we’re almost all familiar with the Salem witch trials. But it turns out people were being burned at the stake for witchcraft across the Atlantic even decades before those famous burnings. In Europe, over the course of approximately 400 years, as many as 60,000 people were killed for being accused of witchcraft. According to one theory, it was economically driven by the religious leaders of the day.

As someone who grew up in an evangelical household, I never questioned that negative view of witches, which was that anyone who did not follow God was, obviously, following the devil. It took years of unlearning for me to reach a place where I didn’t see the world through such black and white lenses. I’m now rather fascinated by witchcraft and witches. According to an article on History.com, “Many modern-day witches still perform witchcraft, but there’s seldom anything sinister about it.”

In my experience, witchcraft is often a pathway for people to tap into their deepest selves and to connect to the universe around them. There is also a legit religion, Wicca, whose believers practice witchcraft. 

“Many modern-day witches still perform witchcraft, but there’s seldom anything sinister about it.”

In pop culture, witches are sometimes seen as evil. I can’t stop thinking about the witches in Stardust, a movie I must admit I adore, who were power-hungry and willing to kill and destroy anyone in order to preserve their youth. Evil is in the name of the Wicked Witch of the West, too. 

Of course, pop culture witches aren’t all bad. Take Willow in Buffy the Vampire Slayer. Although she goes through a dark phase, she’s ultimately seen as fighting her evil urges in order to be good.

One of my favorite witches in pop culture is Wanda the Scarlet Witch of Marvel fame. To be fair, I’ve never read the comic source material, but the movie and TV show character, played by Elizabeth Olsen, holds a very special place in my heart. She does terrible things in her grief and pain, and frankly, I can relate. I watched (and sobbed through) Wandavision earlier this year because though I’ve never confronted the specific griefs Wanda faced, I have my own share of trauma I’m trying to deal with on my own, without hurting others.

Do you see the lesson we can learn from the way witches in pop culture navigate their powers? How their tales, whether fictional or real, can be relatable for all of us suffering grief, trauma, or depression?

I think, ultimately, that if you were an angel or a witch for Halloween, it’s fine, as long as you have respect. Respect for the choices of others that might be different from yours, and respect for the people populating our lives who look a little different, act a little different and connect a little differently.

Read A Discovery of Witches by Deborah Harkness!

For more Tempest History, check out our Ancient Practices series!

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Book Reviews Book Club Pop Culture Interviews

Witches are at the forefront of the Suffragette movement in Alix E. Harrow’s “The Once and Future Witches”

Why have regular activists when you can have activist witches? I found the perfect combination of the two in Alix E. Harrow’s new novel The Once and Future Witches.

We’ve all heard the witch tales told to us as little girls – the Wicked Witch of the West was a popular one in my childhood. She is so widely hated by people because of the inconvenience she causes Dorothy, but I secretly liked her better. She made the story. Why are we taught that the witches are always the villains of the story?

Author Alix E. Harrow recalls tales told in her childhood, “There are witches in so many of our stories,” she says in an exclusive interview with The Tempest, “creeping along the margins, waiting at crossroads and hexing babies; I guess it was only a matter of time before we started dragging them out into the light.” And drag to the light she did.

The Once and Future Witches is a novel that centers around injustices that, sadly, are still all too familiar to modern-day society, legal, economic, social and racial. The story is set in 1893, during the time of the suffragette movement, and did I mention that the main characters are activist witches?

Harrow admits that the idea wasn’t entirely hers: “I wish I could say it came to me in a dream, but the honest truth is that I was trying really hard to come up with a new novel idea, and my husband said, ‘you should do witches, but like, activists.'” And from there, The Once and Future Witches was born; a story combining the modern understanding of witchery with the age-old movement of the Suffragettes.

The protagonists of the book, the three Eastwood sisters, display a sense of morality that isn’t heard of from witches in the tales stemming from centuries ago; they are activists fighting for their rights as women. But can they balance witchery and activism? 

There are so many characters that you come to love in this book; my favorite happens to be James Juniper, the youngest of all the Eastwood sisters, on a journey to leave her traumatic past behind. She also happens to be the most dedicated to her roots and a proud witch – something that is consistently frowned upon within the pages of this book and is a trait that makes her incredibly appealing in the new age of activism.


Juniper is the first to become involved with the women’s suffrage movement, later involving her sisters. However, the movement itself is not just for the rights of women, it also serves as a coverup for the Eastwood sisters’ own growing power throughout the city of New Salem; a force that reconciled the sisterhood of these three and brought forward a new sisterhood between the women of New Salem.

Agnes Amaranth is the middle sister and a solitary individual, and Alix Harrow’s favorite: “I had a newborn and a two-year-old while I was writing this book, and the idea of a character who found strength in motherhood, rather than sentimentality or weakness or softness is one that mattered a great deal to me.” 

Last but certainly not least, we have Beatrice Belladonna, the eldest of the sisters and the insatiable bookworm of the trio. Beatrice is bursting at the seams for knowledge of her ancestors and finds herself digging deeper and deeper into her emotions and knowledge about witchcraft with the aid of her new friend. Beatrice’s love of books resonates with many readers and although on the surface Beatrice has less going on in her life than her sisters, it is truly a wonderful experience to watch such an introverted character bloom into a powerful presence. 

My favorite thing about The Once and Future Witches happens to be how starkly different each of the Eastwood sisters are: there’s a part of everyone in each of these sisters, making them relatable to any reader. It is also quite refreshing to see the characters find pride in being women in a time where it was shunned.


But, throughout History, where there are women, there are injustices and at its very core, The Once and Future Witches is a story about all of these struggles whilst being a disliked member of society. As Harrow so wonderfully puts it,  “All of us grew up on stories of wicked witches. The villages they cursed, the plagues they brewed. We need to show people what else we have to offer, give them better stories.”

Witchery is an essential part of history and literature. From the tales in the literary canon and children’s books to the ones in crime history and newspapers, it’s fair to say that witches haven’t always been depicted as the most just beings. The author of The Once and Future Witches dives deep into the set of fears surrounding the inversions of the natural order. Witches are often portrayed as promiscuous rather than chaste housewives; they prey on children rather than bear them and they curse houses rather than keep them. The nineteenth-century nailed in the gender roles of our society with witches being the feminine form of evil – but not the protagonists of this book. 

The Eastwood sisters alongside many of the other characters find themselves facing an age-old battle that women appear to be destined to fight for the longevity of their time. “I wouldn’t necessarily want to declare that it’s some sort of grand allegory for the #MeToo movement, which involves real women in the real world.” Harrows says, “But all the injustices my characters deal with – legal, economic, social, racial, are absolutely still with us.”

Whether it’s an issue of classism or the economical stance of women in society, Harrow taps into our innermost subconscious, allowing us to see an age-old story with modern eyes in the best way; through the lives of witches. “I think the thing that fantasy can do better than any other genre is literalize experiences that are metaphorical – it can make the invisible suddenly visible. Women’s sociopolitical power is an invisible, uncertain quantity that shifts according to class, race, sexuality, ability, and identity. But with witchcraft–I could make it visible.”

The Once and Future Witches was a great read for me personally: though I’ve never villainized the witches, I’ve never thought to put them in the position of the heroes either. I was surprised just how much I connected with the main character James Juniper – her wit and charm as well as her pride had me rooting for her the entire way through. And although witches have never been traditionally written as humane, this was the most human I’ve read them to be and definitely the most I’ve connected with them.

This book is eloquently crafted and depicts the long-lasting journey that women have been on since the beginning of time and fills you with a sense of righteousness. Remnants of beautiful yet powerful messages are hidden in the charming words you’d come to expect from an Alix E. Harrow’s story. “With my first book (the take away) was a sense of wonder and nostalgia. With this one, it’s righteous anger, and the thing underneath righteous anger, which is almost always hope.”

We are hosting a giveaway of the book on our Instagram, stay tuned! Or, if you absolutely can’t wait to read “The Once and Future Witches”, get it now on The Tempest’s bookshop supporting local bookstores here or on Amazon here.

Categories
History It Happened Once

I Googled the Salem Witch Trials so you don’t have to – and they are hella confusing

As a part of our Halloween series this year, since we’ll be mentioning witches a lot, let’s talk about the Salem Witch Trials and how the events that took place do not make any sense.

Honestly, after reading a bunch about the “trials,” I still do not really understand what happened or why it happened. Suggestions about fungus causing illnesses and other analyses on political issues within Salem at the time are speculations that are often used to try to explain the trials. But, you have to admit that there are a bunch of missing pieces in the story. The whole thing sounds like complete chaos to me!

I have so many questions. Like, why did they randomly believe the claims of young girls without any true evidence? Who really thought that allowing spectral evidence was a good idea? How were the accused supposed to prove to a court that they were not actually witches? And lastly, what were the true reasons and motivations behind this tragedy?

So let me explain what all went down in Salem, Massachusetts in 1692 and 1693.  It all began when the daughter and niece of Reverend Samuel Parris, the minister of Salem Village, began having violent fits, intense contortions, and uncontrollable outbursts such as screaming. After a local doctor in Salem could not find anything physically wrong with 9-year-old Elizabeth Parris an 11-year-old Abigail Williams, he diagnosed them and other young girls within the community that showed similar behaviors and symptoms with bewitchment. This first diagnosis of witchcraft led to the imprisonment of over 200 people and 20 hangings throughout Massachusetts.

Puritan pioneers first settled in the Massachusetts Bay Colony in 1630. During this time, the Puritan communities established their own theocratic government systems. Theocracy is a form of government largely led and structured by those who believed to be divinely guided. The government and legal system are structured based on religious law.

You still with me?

The Puritans believed that the Devil could give individuals on Earth powers in return for their loyalty. (and that isn’t even the most ridiculous claim) Those who received powers from the Devil were called witches. The principle of witchcraft became prevalent in 14th century Europe, where between the 1300s and 1600s, thousands of people, the majority being women, were executed for accusations of witchcraft. Under the legal structure in Salem, an individual who consorted with the Devil was considered a criminal. The punishment for committing such a crime was hanging, yikes!

During the time of the Salem Witch Trials, the community was stressed and struggling. The King William’s War put a strain on the community’s resources. Additionally, there was a rivalry between wealthy families and the working class that depended on forms of agriculture. There was also an on-going smallpox epidemic and fear of attack from neighboring Native Americans. The stressful and anxiety-fueled climate of the community led to ongoing tensions and suspicions among the Puritan villagers.


After the diagnosis of bewitchment, a few of the “bewitched” young girls blamed three women for bewitching them. The first is Tituba, an enslaved woman from the Caribbean bought by the Reverend Parris. The second woman was Sarah Good, a homeless beggar.  And lastly, an impoverished elderly woman named Sarah Osborne. Of course, all three of the accused women were considered “outsiders” based on race and/or class. (Is anyone shocked?)

It remains unclear if the girls were persuaded or forced to accuse these three women. However, I think that the social statuses and positions of the women in society should be considered when trying to interpret the potential reasons that these three women in particular were actually accused of the crime of witchcraft.

This is where the whole thing launched full speed into a downward spiral to me. The imprisonment of the three women led to further paranoia in a society that already suffered from numerous stresses. Good and Osborne claimed that they were not guilty; while Tituba confessed and named other witches who were working along with her against the Puritans to receive repentance. In response to Tituba claiming other individuals were also practicing witchcraft, the governor of Massachusetts ordered the establishment of the Court of Oyer and Terminer to pass judgment on witchcraft cases.

The accusations of witchcraft continued to spread across the Massachusetts colonies against mostly women and a few men (which I did not know). Similarly to Tituba, those accused confessed and named others who practiced witchcraft. The court allowed testimony based on spectral evidence. This refers to evidence that is based on visions, dreams, and a person’s spirit. The testimony was based on witnesses claiming that they interacted with or saw a person’s spirit, in place of basing testimony on a person’s physical actions. The trails lacked focus on truth and investigation. Under religious practices, the courts preferred that the accused confessed, asked for forgiveness, and vowed to not engage with the Devil again.

After years and the (unlawful) deaths and imprisonment of so many people, the Court of Oyer and Terminer was finally replaced with the Superior Court of Judicature, the testimony of spectral evidence was no longer allowed, and the trials were deemed unlawful. In 1697, the General Court ordered a day of fasting and soul-searching due to the events that had occurred during the trials. Additionally, in 1711, the families affected received reinstitution and the restoration of the names. However, it was not until the 1950s that Massachusetts formally apologized for the event.

The whole story is definitely a lot to digest, but it did give me a lot to think about.

While many aspects of the Salem Witch Trails are perplexing, within this tragedy remains lessons that should be reflected on and questioned today. It remains crucial to have objectivity, to think about the consequences of unjustly punishing individuals, to be cautious of the use of fear within the justice system, and to foresee the damages of groupthink going unquestioned.

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