It’s Sunday night and I stumble across the trailer for Ginny and Georgia. The words, “we’re like the ‘Gilmore Girls’ — but with bigger boobs,” play on-screen and I’m instantly intrigued. Because who doesn’t love a mother-daughter duo tv show? More so, when it references the ultimate feel-good Stars Hollow fantasy. So of course I started watching the show expecting something light, but wow, was I wrong. There was so much in this show, maybe too much for me to unpack in one article but here are my thoughts:
“Life is a battle and beauty is a goddamn machine gun.” – Georgia
Georgia is a sassy force of nature, and we see that over the flashbacks that are peppered through the narrative and her will and determination to protect herself and her children at all costs. She’s always dressed for success – on a mission to dominate a world that was cruel and unfair to her. And yet, she doesn’t stop at anything. She wears her armour like a second skin and no one is given permission to pierce it.
The series begins with Georgia moving to Wellsbury with her two children, Ginny and Austin (Diesel La Torraca). Ginny and Georgia have a fascinating relationship and the mother-daughter duo is complex if anything. They come across as best friends and yet as the show progresses, cracks begin to form within their relationship and ends in ashes (pun intended).
“I’ve accepted that everything that sparks joy is cancerous, and I love string cheese. I’m embracing death.” -Maxine
Ginny instantly finds a new friend in the girl next door, Maxine. She’s full of life, energy and drama – she’s the girl we’re rooting for throughout the series. But along with an introduction to Max, Ginny meets her broody (so typical) twin brother, Marcus. How much do we live for the bad boy trope on tv? But I’m not complaining, cause for me, it worked. Meanwhile, Georgia has already been spotted making her moves on the town’s Mayor, Paul (Scott Porter) who FYI is George Tucker from Hart of Dixie!!! The show was really chasing those small-town feels. It’s clear front the onset of the show that Georgia has a dark past, one that she’s been running from her entire life and that she tends to find a new man in every place she ventures (as Ginny states).
There’s one flashback in particular that resonated with me deeply and I wish they had given this plotline more to unpack. But since they didn’t, I’m here to introduce you to my favourite character, Joe (Raymond Ablack). Firstly, can we just acknowledge how beautiful this man is? His charisma, persona and all-around good guy VIBES were just killing it throughout and I was rooting for him and Georgia to end up together. But I’m getting ahead of myself.
We see a 15-year-old Georgia finding out she’s pregnant at a rest stop, when she meets a young boy (Joe) who shares half of his sandwich with her. He tells her he’s from this town called Wellsbury and ends up giving her his black ray bans. It’s this adorable, whimsical and purely sweet moment. When Joe realizes that Georgia is the girl from the stop he gave his glasses to all those years ago – he’s ready to finally confess his love for her. And damn, was I there for it.
But alas, she was already engaged to Mayor Paul. What struck me about this plotline, in particular, was that Georgia was always determined. She wanted a better life for herself, and seeing Joe and finding out where he was from stirred something within her. I would have loved for the show to explicitly show Georgia acknowledging that dream of hers. But Georgia is never vulnerable, she lives for power and the upper hand and that’s how she gets out of so many awful situations.
As the series moves along, we find out that not only was Georgia’s past chequered, it was in fact, murderous. Her history though is only one string in this narrative. The show keeps you on your toes – questioning where it’ll take you next. We have the new girl cannon coming in with Ginny, a girl who’s never even had friends much less kissed a boy turns popular and that power almost changes her for the worst. There’s the whole love triangle with the good boy (Hunter) vs the bad boy (Marcus) who Ginny loses her virginity to almost ten minutes after meeting him. You do you, sis.
And then we have the biracial identity aspect, Ginny’s dad is Black (Zion – who I’ll get to in a bit because so many thoughts) along with dealing with racism within the classroom. Although the race aspect could have been handled better, there is one scene where Ginny claps back at her English teacher for being racist and another time when she speaks out about analysing literary theory solely through a white male lens. As for the fight between Ginny and her also biracial boyfriend, Hunter – what was THAT? The way they attacked each other with racial stereotypes was cruel and honestly just left a sour taste. We needed more time to unravel that thread and yet, the story picked back up again and pulled us into the whimsy of it all.
Zion is Ginny’s father who is basically out of the picture. He’s the guy that comes back temporarily to make everything seemingly okay while playing happy families but ups and leaves. In a way, I was rooting for their family to get back together and when Zion reveals that he truly wants to stay in their lives and commit to a future together – I was living for it. But just like Chris and Lorelai in Gilmore Girls, some families don’t have happily ever afters.
“What do you care? You go through men faster than Taylor Swift.” – Ginny
That wasn’t the only problematic moment in the show though. Recently, Taylor Swift called out the series because of its reference to her dating life:
“Hey ‘Ginny & Georgia,’ 2010 called and it wants its lazy, deeply sexist joke back,” Swift wrote. “How about we stop degrading hard working women by defining this horse shit as [funny]. Also, Netflix, after ‘Miss Americana’ this outfit doesn’t look cute on you…Happy Women’s History Month I guess.”
And honestly, ya girl loves Taylor so I did feel like the reference was unnecessary. Taylor’s love life has been overtly dissected by the media for years—why can’t we give her a break? Let’s be honest she saved us this year with folklore and evermore and Love Story (Taylor’s Version) and she she doesn’t deserve these cheap jokes.
“This is love.” – Abby.
Maxine is aching over her recent breakup as Abby feeds her oreos and whispers the wise words of all true friendship and they lay tethered in the air between the four girls of MANG (Maxine, Abby, Norah and Ginny). For me, one of the greatest elements of Ginny and Georgia was that friendship. While the show encapsulated so many different things, this was one piece that resonated with me. It was fuelled by drama, by stomach aching laughter, friendships being broken and formed again – everything that I (think) teenage friendships encapsulate. On that note, Gen-Zers on TikTok have been bashing the show for its acutely millennial depiction of teenagedom. But what can I say? All I know about teenagers is what I’ve seen in the classroom.
Revelations about Georgia’s past come to light in the finale and Ginny along with little Austin are seen leaving Wellsbury as a result. There’s a foreboding voiceover as the half-siblings drive off on a motorbike where Ginny claims that she’s running away from it all. And in a painstakingly beautiful light, it’s juxtaposed with Georgia’s final voiceover where she believes she’s finally free and the running is all over: roots planted, lies put to bed – a fictitious happily ever after.
So if you were expecting to walk through the dreamscape of a pretty and pure Stars Hallow, drenched in sunshine and love, stop now. That isn’t what you’re doing to get. Georgia is no Lorelai and Ginny is no Rory. There’s a lot within the show that makes you feel, love and hurt but there’s also a lot that is inexplicable and everything comes to a fleeting and forceful end with the finale. That’s not to say I won’t be hoping and eagerly waiting for season two.
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